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Alan Schacher’s practice combines dance, performance and installation, usually working collaboratively to realise provocative spatial experiences that are atmospherically and architecturally driven. Schacher's research objective for his residency was to investigate ways of working with the 'performativity' of public spaces, and to engage with artists, organisations and architects to discuss and develop a 'choreography of public spaces'. This theme provided a rich ground for dialogue and exchange during his six months of travel through Asia, beginning with his arrival in Beijing on the Trans-Siberian railway for the conference, Capturing the Moving Mind. This extended to travels to Hong Kong, Guangzhou for the Guangzhou Triennial, followed by visits to Macau and Shenzhen.
Funded by the NSW Ministry for the Arts and the Australia Council.
Funded by Arts South Australia and the Australia Council.
Tony Strachan is Artistic Director for The Australian Theatre of the Deaf. He has directed for the State Theatre Company of South Australia, Sidetrack and Death Defying Theatre. Strachan's residency in Hong Kong was based with the Arts with the Disabled Association, where he worked with six deaf actors. Strachan developed a theatre work Untie the Boat from the Ugly Wharf, using physical gestures and visual performance modes. The show was very successful with seven performances in Hong Kong and Macau. It also toured to Montreal in July 2003 representing Hong Kong at the World Federation of the Deaf.
Funded by the NSW Ministry of the Arts and the Australia Council.
Hellen Sky and John McCormick founded Company in Space in 1992 to explore the potential of communication technologies for new pathways between image, sound and the human body. Sky’s practice has evolved through performance: movement, text, and image making extended through new technologies. During their combined residency with the Hong Kong Arts Centre they developed the infrastructure and conceptual ideas for using the internet as a mechanism for collaborative exchange of live performance practice between China and Australia.
Funded by the Australia Council.
Jaime Redfern is a dancer and choreographer. He has danced with the Australian Ballet and Queensland Ballet, has choreographed his own works, A State Of Grace and One Foot Lifted Caught Stepping Forward, and collaborated with Maggi Sietsma on Under Her Breath, Adam In Wonderland, Alone Together and Direct Heat for Expressions Dance. During his residency Redfern spent two months at The City Contemporary Dance Company in Hong Kong.
Funded by the Australia Council.
At the time of his residency Mike Canfield was the Artistic Director, Australian Theatre of the Deaf, and while in Vietnam with his sign interpreter Pam Spicer, worked with the Vietnamese National Theatre Company in Hanoi, on a non-verbal production of The Request Of Spring by Le Quy Duong. He also conducted workshops in the area of visual theatre for the Ho Chi Minh Theatre and Film School, culminating in a presentation which was attended by the Australian Consul General. The second half of Canfield’s residency was spent in Hong Kong working with teachers of the Deaf, social workers and theatre artists, organised by the Arts with the Disabled Association Hong Kong.
Funded by the Australia Council and the NSW Ministry for the Arts.
Created: 22 May 2007 1:50pm
Last Modified: 26 February 2009 8:01pm
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