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You are here: Home  |  Our Work  |  Arts  |  Visual Arts  |  Exhibition Touring Program  |  ERASED (contemporary Australian drawing)

ERASED (contemporary Australian drawing)

 

ARTISTS: Vernon Ah Kee, Christian Capurro, Simryn Gill, Jonathan Jones, Tom Nicholson, Raquel Ormella.

CURATOR: Natasha Bullock, Curator, Contemporary Art, Art Gallery of New South Wales.

You pass through an ever present past. Lou Reed from Magic and Loss (1992)
 
To erase is to change. As an inherent part of the creative methodology of drawing, this exhibition highlights how erasure is a generative strategy, one that proposes a future of political, social, environmental and aesthetic transformations. In some works, erasure acts as a mode of expression or it operates by layering the past with the present or as a proposition about action and trace. In each case, it operates as some kind of palimpsest.
 
A palimpsest is traditionally understood as a manuscript upon which a text has been incompletely or wholly erased to make space for another text. However, the word has developed a number of meanings across different fields. More broadly, it can refer to any object or place that reflects its history – the traces of buildings in ruins are a prime example – the past physically embodied in the present. In each definition, a palimpsest is a densely articulated practice of marking, erasing and rewriting, layering moments in time, one over the other, producing a complicated texture of spatiality and temporality – an ever present past.
 
Interpreted in this way, one can posit that, of the works in this exhibition, Christian Capurro’s function more literally as a palimpsest while Tom Nicholson’s and Raquel Ormella’s employ it as a mode of expression, referencing the past by way of visual fragments, and in the work of Vernon Ah Kee, Simryn Gill and Jonathan Jones, erasure and layering also suggest productive dimensions of meaning and transformation.

Vernon Ah Kee,
  Vernon Ah Kee
Unwritten #10
2008
Charcoal on canvas
150 x 90cm

Courtesy of the artist and Milani Gallery, Brisbane.

     
Christian Capurro, "Compress (the pit of doublivores), (detail)" 2007. Works on paper, corrected ink, correction fluid, magazine paper and pins, approx. 31x21cm  

Christian Capurro
Compress (the pit of doublivores),
(detail)
2007
works on paper, corrected ink,
correction fluid, magazine paper and pins
approx. 31 x 21 cm

Courtesy of the artist

 
Jonathan Jones, "untitled (graphite a)", 2005, charcoal and graphite on paper, 110x164cm
 

Jonathan Jones
untitled (graphite a)
2005
charcoal and graphite on paper
110 x 164 cm

Courtesy of the artist and
Gallery Barry Keldoulis, Sydney


 
Simryn Gill,
 

Simryn Gill
Four atlases of the world and one of stars
2009
Paper, glue
dimensions variable

Courtesy of the artist and Breenspace, Sydney
and Tracy Williams Ltd, New York


 
Raquel Ormella, "130 Davey Street", 2005, Whiteboard, white board markers, dimensions variable
 

Raquel Ormella
130 Davey Street
2005
Whiteboard, white board markers
dimensions variable

Courtesy of the artist and Milani Gallery, Brisbane
and Uplands Gallery, Melbourne


 
Tom Nicholson, "Flags", 2007, dimensions variable
 

Tom Nicholson
Flags for a Trades Hall Council
2005
dimensions variable

Courtesy of the artist and Anna Schwartz Gallery,
Melbourne and Sydney

Exhibition dates and venues:

Singapore: 20 July – 23 August 2009 Nanyang Academy of Fine Arts Gallery (NAFA), Singapore
Touring Asia: 2009 – 2010 (more details to come)
 
 

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Created: 06 March 2009 4:30pm
Last Modified: 30 October 2009 10:46am
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