Asialink



White Hot: contemporary Australian glass

ARTISTS: Nadege Desgenetez, Wendy Fairclough, Deirdre Feeney, Jessica Loughlin, Tom Moore, Brenden Scott French, Itzell Tazzyman and Janice Vitkovsky.

CURATORS: Barbara McConchie, CraftACT; Ann Jackle, Canberra Glassworks; Sarah Bond, Asialink

White Hot: contemporary Australian glass is presented in partnership with leading arts organisations Craft ACT: Craft and Design Centre and Canberra Glassworks.

White Hot highlights the works of eight internationally renowned and celebrated Australian glass artists, reflecting on a moment in time by considering contemporary practitioners who challenge the traditional ideas, methods, and materials of glass making.

The invited artists, Nadege Desgenetez (ACT), Wendy Fairclough (SA), Deirdre Feeney (VIC), Jessica Loughlin (SA), Tom Moore (SA), Brenden Scott French (SA), Itzell Tazzyman (ACT) and Janice Vitkovsky (SA), all explore themes of narrative, nostalgia and challenge the notions of what glass can be.

In recent years, contemporary Australian glass artists have received unprecedented acclaim in the international arena. However, the focus has been more prevalent in the United States of America and Europe, rather than in Asia. White Hot celebrates the strength of Australian creative glass practice and industry with this dedicated glass exhibition, the first to be toured by Asialink through Asia, revealing the vibrancy and dynamism current within contemporary glass practice in Australia.

These eight artists demonstrate that whether it is expertly blown, meticulously engraved, production work or conceptual art, glass is a super-cooled mercurial substance that resists classification.

Nadege Desgenetez, "Big Blue Clouds", 2007, blown glass, dimensions variable. Photographer: Jeffrey Curtis.
Nadege Desgenetez
Big Blue Clouds
2007
blown glass
dimensions variable
Photographer: Jeffrey Curtis
Wendy Fairclough, "Still Life #6", 2006, hand blown and sandblasted glass 38 x 156 x 65 cm. Photographer: Grant Hancock
Wendy Fairclough
Still Life #6
2006
hand blown and sandblasted glass
38 x 156 x 65 cm
Photographer: Grant Hancock
Deirdre Feeney, "She never really lived here", 2008, glass and digital projection 24.5 x 18 x 31 cm. Photographer: David McArthur Deirdre Feeney
She never really lived here  
2008
glass and digital projection
24.5 x 18 x 31 cm
Photographer: David McArthur
Jessica Loughlin, "Shift 3", 2007, Kilnformed glass 87 x 79 x 4 cm. Photographer: Grant Hancock
Jessica Loughlin
Shift 3
2007
Kilnformed glass
87 x 79 x 4 cm
Photographer: Grant Hancock
Tom Moore, "The Workers", 2007, hot joined blown and solid glass, found tools, (left) 65 x 20 x 15 cm and (right) 55 x 20 x 15 cm. Photographer: Grant Hancock Tom Moore
The Workers
2007
hot joined blown and solid glass, found tools
(left) 65  x 20 x 15 cm and (right) 55 x 20 x 15 cm
Photographer: Grant Hancock
Brenden Scott French, "Predator - the Great North Land", 2007, Kiln formed, wheel engraved and painted glass. Photographer: Grant Hancock Brenden Scott French
Predator - the Great North Land
2007
Kiln formed, wheel engraved and painted glass
Photographer: Grant Hancock
Itzell Tazzyman, "Revealing Our First Nature (TRANSCENDENCE I)", 2007, production pine chair, glue, metal, glass 95 x 43 x 40 cm. Photographer: Rob Little
Itzell Tazzyman
Revealing Our First Nature (TRANSCENDENCE I)
2007
production pine chair, glue, metal, glass
95 x 43 x 40 cm
Photographer: Rob Little
Janice Vitkovsky, "Immerse", 2008, Murrine technique, fused, carved and hand finished glass. 18.5 x 102 x 3cm. Photographer: Grant Hancock
   
Janice Vitkovsky
Untitled
2004
Murrine glass, fused, kiln-formed
36 x 26 x 1 cm
Photographer: Grant Hancock

Exhibition dates & venues:

Bangkok: 8 January - 30 January 2009, Silpakorn Gallery, Silpakorn University
Hanoi: 19 June – 28 June 2009, Vietnam Fine Art Museum
Taiwan: 24 July - 27 September, Kaohsiung Museum of Fine Arts